This would also happen for Meat Loaf's 1993 hit " I'd Do Anything for Love (But I Won't Do That)", where Dana Patrick mimed to Lorraine Crosby's vocals. The video also received healthy airplay in the first years of MTV, despite its relative age to the new artists the channel was showcasing.Īlthough Ellen Foley is recorded on the album, another woman, Karla DeVito, was used for the music video and for live performances. Very few of these prints are still extant and/or in playable condition. The exchange was repeated with different female vocalists, in different versions and with different endings, in most of Meat Loaf's subsequent live tours and remains in the set to the present day, when it is still occasionally performed by Meat Loaf and his current featured vocalist Patti Russo.ģ5mm prints of a live-on-soundstage performance of "Paradise" were struck and initially sent to many theaters holding midnight screenings of The Rocky Horror Picture Show, as a short subject to play before the feature. The argument was cut short by DeVito shouting ".And I'll keep the baby!", which left Meat Loaf's character speechless as he apparently ignored the existence of a baby immediately after, he ended the argument by screaming incoherently at her. In early live performances of the song, this part (and thus the conclusion of the song itself) was followed by a spoken-word epilogue by Meat Loaf and Karla DeVito, where they, still in character as the two protagonists, argued about what to keep after the couple's divorce (having been presumably married for a number of years). The song fades out on the situation, juxtaposing his gloomy "It was long ago, it was far away, it was so much better than it is today!" in the left channel with her nostalgic "It never felt so good, it never felt so right, we were glowing like the metal on the edge of a knife" in the right channel. However, the male character cannot possibly break his vow and hence is now praying for the end of time to relieve him from his obligation. However, as she is not giving in that easily, so that he finally cracks and gives his promise: "I started swearing to my God and on my mother's grave/That I would love you to the end of time".īack in the present, the characters can no longer stand each other's presence. Reluctant to make such a long-term commitment, the boy repeatedly asks her to continue on for the time being and promises to give his answer in the morning. Just as the boy is about to score (via the suicide squeeze), the girl bursts out telling him to "Stop right there!" She refuses to go any further unless the boy first promises to love her forever and marry her. In a nod to the Yankees – Red Sox rivalry, some radio stations in Boston created a version where Rizzuto's part was substituted with Red Sox announcer Dick Stockton describing the baseball play. Rizzuto publicly maintained he was unaware that his contribution would be equated with sex in the finished song, but Meat Loaf asserts that Rizzuto only feigned ignorance to stifle some criticism from a priest and was fully aware of the context of what he was recording. Rizzuto's baseball play-by-play call was recorded in 1976 at The Hit Factory in New York City by producer Todd Rundgren, Meat Loaf and Steinman. ![]() His pushing the matter is mirrored by New York Yankees announcer Phil Rizzuto broadcasting a portion of a baseball game that serves as a metaphor for his attempts to achieve his goal, accompanied by funk instrumentation and the two characters talking in the two individual left and right channels. ![]() They are parking by a lake and having fun, experiencing "paradise by the dashboard light", until the male character insists they're "gonna go all the way tonight" (the audio track suddenly cuts out, quickly pans through the left and right channels once before slowly returning to both channels). The song opens with the characters reminiscing about days as a young high school couple on a date. Īccording to Meat Loaf on VH1 Storytellers, the original length of the track was to be 27 minutes. The largest change is the complete removal of the "baseball play-by-play" section. In some countries, a shorter 5:32 edit was released. The only difference is the song fades out almost immediately after the final line is sung. "Paradise by the Dashboard Light" is one of the longest songs to be released uncut on one side of a 45 RPM record.
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